Rookie cop Billy Costigan grew up in crime. That makes him the perfect mole, the man on the inside of the mob run by boss Frank Costello. It's his job to win Costello's trust and help his detective handlers bring Costello down. Meanwhile, detective Colin Sullivan has everyone's trust. No one suspects he's Costello's mole within the police department.

How these covert lives cross and collide is at the ferocious core of the Academy Award-winning The Departed. Martin Scorsese directs, guiding a cast for the ages in a visceral tale of crime and consequences. This is searing, can't-look-away filmmaking: like looking into the eyes of a con - or a cop - with a gun.

Academy Award Winner
- Best Picture Of 2006
- Best Director
- Best Adapted Screenplay
- Best Editing

This is the true-crime bestseller that was the basis for Martin Scorsese's film masterpiece GoodFellas, which brought to life the violence, the excess, the families, the wives and girlfriends, the drugs, the payoffs, the paybacks, the jail time, and the Feds...with Henry Hill's crackling narration drawn straight out of Wiseguy and overseeing all the unforgettable action. "Nonstop...absolutely engrossing" (The New York Times Book Review).

Read it and experience the secret life inside the mob--from one who's lived it.

'Here on the shore, twenty years later, my message in a bottle has reached dry land. Words about our life, his death but mostly love and our journey to the end.' - Olivia Harrison Olivia Harrison presents Came the Lightening, a book of twenty poems dedicated to George, marking the twentieth year since his passing. As a contributor to the book Concert for George, the revised edition of I Me Mine, and George Harrison: Living in the Material World, Olivia is no stranger to writing beautiful words that have an ethereal connection to love. These poems are accompanied by a selection of photographs and mementos curated by Olivia, including pictures of herself and George. Came the Lightening sees Olivia reflect upon her life with George, examining the intimacy of the emotional bond in their relationship through a memorable series of poems. She delves into the phenomenon of losing a partner and the passage of time. In essence, this is a story of love. 'Olivia evokes the most fleeting gestures and instants, plucked from the flow of time and memory and felt through her choice of words and the overall rhythm... She might have done an oral history or a memoir. Instead, she composed a work of poetic autobiography.' - Martin Scorsese

Featuring a foreword from legendary director Martin Scorcese,Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock. Assembled by associate producer Dale Bell, the oral history takes readers behind the scenes-and behind the camera-at the decade-defining event.

Roger Ebert wrote the first film review that director Martin Scorsese ever received--for 1967's "I Call First," later renamed "Who's That Knocking at My Door"--creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. "Scorsese by Ebert" offers the first record of America's most respected film critic's engagement with the works of America's greatest living director, chronicling every single feature film in Scorsese's considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary "Shine a Light."

In the course of eleven interviews done over almost forty years, the book also includes Scorsese's own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director's less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert's insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."--"Time Out Chicago"

"Ebert, film critic for the "Chicago Sun-Times," is an unabashed fan of Scorsese, whom he considers 'the most gifted director of his generation.' . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work."--"Publishers Weekly"

Martin Scorsese makes his first foray into children's cinema with this semi-fantastical drama based on a book by Brian Selznick. Asa Butterfield stars as Hugo, an orphan who lives in the hidden nooks of a train station in 1920s Paris. With the help of his friend, Isabelle (Chloë Moretz), he sets out to solve a mystery left behind by his late father (Jude Law): a curious puzzle involving a heart-shaped key, a cranky toy shop owner (Ben Kingsley) and a broken automaton. Along the way, the tangled lives of the staff and passengers at the station provide numerous colourful detours, and Scorsese pays homage to early pioneers of cinema including the Lumiere brothers and Georges Méliès. The film was nominated for eleven Oscars and won five awards including Best Cinematography and Best Visual Effects.

The first comprehensive biography of the director behind Godzilla and other Japanese sci-fi classics. Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director's life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda's work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda's films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema. Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda's Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).

"As far back as I can remember, I've always wanted to be a gangster."

Henry Hill grew up in the midst of New York City's criminal underworld, finally achieving the coveted status of "wiseguy." But in 1980, he made the decision to exchange his knowledge for a new identity. GoodFellas, Hill's own account of crude hierarchies, casual murders, and collaboration with the Feds (as a member of the Witness Protection Program) was adapted for the screen by Martin Scorsese and Nicholas Pileggi—and is now seen as a contemporary classic. The film drew rave reviews everywhere upon its theatrical release in 1990, and was nominated for Oscars in both the Best Director and Best Adapted Screenplay categories.

This book also offers an introduction by David Thompson, the noted film critic and co-editor of Scorsese on Scorsese.

For four decades film historian Ira M. Resnick has been amassing a superb collection of 2,000 vintage movie posters and 1,500 stills, which has never before been published. Starstruck: Vintage Movie Posters from Classic Hollywood features the best of Resnick's collection, with vivid reproductions of 250 posters and forty stills from the golden age of Hollywood, 1912 to 1962. In a moving introduction, Resnick relates how his love of vintage movie art translated into a career as a collector and the founder of the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick's firsthand account offers entertaining anecdotes about how he managed to acquire such stellar film artwork, as well as historical information about the stars and films shown on the pieces he collected. Guiding the reader through the best posters and stills of his collection, Resnick provides a tour of cinematic history, starting in the silent film era and continuing up to Breakfast at Tiffany's (1961). By showcasing several posters for each performer-such as Lillian Gish, the Marx Brothers, Marilyn Monroe, John Barrymore, and Audrey Hepburn-Resnick offers a unique method of charting the evolution of each movie star's career. Organizing his account both chronologically and thematically, in later chapters Resnick discusses some of Hollywood's legendary directors and films, and critiques fantastic graphic art from little-known films. Bonus material includes a list of Resnick's fifty favorite one-sheets, helpful tips for the collector, and a glossary of terms and poster sizes. A must-have book for every collector and film buff, Starstruck offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.

Now a major motion picture directed by Martin Scorsese, starring Liam Neeson, Adam Driver and Andrew Garfield. With an introduction by Martin Scorsese 'One of the finest historical novels written by anyone, anywhere . . . Flawless' - David Mitchell Father Rodrigues is an idealistic Portuguese Jesuit priest who, in the 1640s, sets sail for Japan on a determined mission to help the brutally oppressed Japanese Christians and to discover the truth behind unthinkable rumours that his famous teacher Ferreira has renounced his faith. Once faced with the realities of religious persecution Rodrigues himself is forced to make an impossible choice: whether to abandon his flock or his God. Winner of the 1966 Tanizaki Prize, Silence is Shusaku Endo's most highly acclaimed novel and a classic of its genre. It caused major controversy in Japan following its publication in 1967.

Shusaku Endo is celebrated as one of Japan's great modern novelists, often described as "Japan's Graham Greene," and Silence is considered by many Japanese and Western literary critics to be his masterpiece. Approaching Silence is both a celebration of this award-winning novel as well as a significant contribution to the growing body of work on literature and religion. It features eminent scholars writing from Christian, Buddhist, literary, and historical perspectives, taking up, for example, the uneasy alliance between faith and doubt; the complexities of discipleship and martyrdom; the face of Christ; and, the bodhisattva ideal as well as the nature of suffering. It also frames Silence through a wider lens, comparing it to Endo's other works as well as to the fiction of other authors. Approaching Silence promises to deepen academic appreciation for Endo, within and beyond the West. Includes an Afterword by Martin Scorsese on adapting Silence for the screen as well as the full text of Steven Dietz's play adaptation of Endo's novel.

Endo Shusaku is celebrated as one of Japan's great modern novelists and is often described as Japan's Graham Greene. Silence is considered by many Japanese and Western literary critics to be his masterpiece. Approaching Silence is both a celebration of this award-winning novel as well as a significant contribution to the growing body of work on literature and religion. It represents the first attempt to feature an engaged, patient contact with this pivotal text. Approaching Silence assembles and features eminent scholars writing from Christian, Buddhist, literary, and historical perspectives, taking up, for example, the uneasy alliance between faith and doubt; the complexities of discipleship and martyrdom; the face of Christ; and, the bodhisattva ideal as well as the nature of suffering. Some essays will look through a wider lens on Endo's work, comparing Silence to other works of Endo as well as to the fiction of other authors. Approaching Silence serves as a reader for advanced undergraduate and graduate courses in religion and literature, inter-religious dialogue, comparative literature, Japanese literature, and textual reception.

Joey Figueroa and Zak Knutson's documentary profile of screenwriter and director, John Milius. A contemporary of Francis Ford Coppola and George Lucas during the 1970s, Milius' fame as a screenwriter will forever be secured by the 'Do I Feel Lucky?' Clint Eastwood speech in Dirty Harry (1971) and the 'I Love the Smell of Napalm in the Morning' speech for Robert Duvall in 'Apocalypse Now' (1979). Famously out-of-sync with the liberal movers and shakers in Hollywood at the time, Milius' forthright political views and controversial support of right-of-centre groups like the National Rifle Association led to claims that he was 'blacklisted' by his peers. Figueroa and Knutson affectionately trace the film-maker's career with the help of contributions from friends and family and a host of Hollywood stars including Francis Ford Coppola, Harrison Ford, George Lucas, Arnold Schwarzenegger, Martin Scorsese and Oliver Stone.

The complete fifth season of the US comedy drama following the celebrity life of Hollywood star Vincent Chase (Adrian Grenier) and his friends, Eric (Kevin Connolly), Turtle (Jerry Ferrara) and Drama (Kevin Dillon), Vince's half brother. In this season Vince (Grenier) is no longer hot property after his film 'Medellin' is a flop at Cannes. He now has to deal with the fact that no one wants to hire him, despite his agent Ari (Jeremy Piven)'s best efforts. This season includes guest appearances from Jamie-Lynn Sigler, Leighton Meester, Seth Green and Martin Scorsese. Episodes comprise: 'Fantasy Island', 'Unlike a Virgin', 'The All Out Fall Out', 'Fire Sale', 'Tree Trippers', 'ReDOMption', 'Gotta Look Up to Get Down', 'First Class Jerk', 'Pie', 'Seth Green Day', 'Play'n With Fire', 'Return to Queens Blvd'.

Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers' lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history.

Originally published in France in 2012, Pascal Merigeau's definitive biography of legendary film director Jean Renoir is a landmark work,the winner of a Prix Goncourt, France's top literary achievement. Now available in the English language for the first time, Jean Renoir: A Biography , is the definitive study of one of the most fascinating and creative artistic figures of the twentieth century. The French filmmaker made more than forty films from the silent era to the late '60s and today he is revered by filmmakers and seen by many as one of the greatest of all time. Renoir made acclaimed movies in France, America, India, and Italy and became a writer during the last part of his life. An estimated 75 percent of the book details previously unknown information about the filmmaker, including Renoir's close affiliation with Communism in the '30s (when he was the Party's official director) and his work with the fascist regimes during World War II his previously uncredited Hollywood film, The Amazing Mrs. Holiday and new information on the making of his most famous films. Drawing from unpublished or little known sources, this biography is a completely fresh approach to the maker of Grand Illusion and The Rules of the Game , redefining the very function of the movie director and simultaneously recounting the history of a century.

The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work.

In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's "Before the Revolution," and documentaries, such as "Shoah" and "Point of Order."

Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad--and often entertaining--aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda's films reflected postwar Japan's real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director's life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda's work and the experiences that shaped it-including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda's films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. The authors cover Honda's non-science fiction films for the first time in any language. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema. Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda's Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).

This is a three-volume set about the founding, the 50-year history, and the collections of the Austrian Film Museum. Volume 1 (in German) is a work of historical research, describing in detail the establishment and development of the institution-from postwar Viennese film culture and its protagonists to the tenth anniversary of the Film Museum in 1974.A Volume 2 (in German, with some parts in English) extends the time-frame to the year 2014 and offers a richly illustrated anthology of essays, documents, memoirs, and correspondence. It highlights the major retrospectives staged by the Film Museum over a period of 50 years and celebrates many of the visiting artists as well as the writers who contributed to the museum's international recognition and to its curatorial positions. Volume 3 (in German) focuses on the museum's holdings by picturing and describing 50 objects from various subfields of the collectionVand suggesting a non-dogmatic reading of film history.

A special 50th anniversary edition of our lavishly illustrated ultimate guide to Woodstock, with a day-by-day, act-by-act account of everything that went down on Yasgur's farm--along with interviews and quotes from those who were there. Woodstock defined a generation and exemplified an era: the three-day concert that took place on Yasgur's farm in Bethel, New York, from August 15-17, 1969, was unlike anything that happened before or since. Now, thanks to this special 50th-anniversary edition, you can relive the moment and go "back to the garden" with this day-by-day, hour-by-hour account of everything that happened on Yasgur's farm--including a rundown of each of the 33 acts, in the order they appeared. With interviews and quotes from those who were there and a wealth of photographs and graphic memorabilia, Woodstock is the ultimate celebration of a landmark in modern cultural history and its enduring legacy. This updated edition has a refreshed cover and features four pages of new images and updates on Woodstock today, Where They Are Now, and the Museum at Bethel Woods.

Roger Ebert wrote the first film review that director Martin Scorsese ever received--for 1967's "I Call First," later renamed "Who's That Knocking at My Door"--creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. "Scorsese by Ebert" offers the first record of America's most respected film critic's engagement with the works of America's greatest living director, chronicling every single feature film in Scorsese's considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary "Shine a Light."

In the course of eleven interviews done over almost forty years, the book also includes Scorsese's own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director's less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert's insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."--"Time Out Chicago"

"Ebert, film critic for the "Chicago Sun-Times," is an unabashed fan of Scorsese, whom he considers 'the most gifted director of his generation.' . . . Of special note are interviews with Scorsese over a 25-year period, in which the director candidly discusses his body of work."--"Publishers Weekly"